This is a ruff of a 7 page scipt I wrote. Let me know if anyone is ...

By FranklinWhitlatch

[title cont: ...interested in making it better or even filming it.]


















WHEN LIFE HANDS YOU A FISH































Franklin A Whitlatch
Valencia Community College Student
Orlando, FL 32828
mr.mujo@gmail.com
FADE IN:
EXT. LOWER MANHATTAN DOCKS – DAY

A low pan shot from the water’s edge, seagulls flying, early morning sunrise in the distance, and the distant sound of seagulls squawking. MURPH EDDLETON, a 20-year old with slicked back dark hair wearing a winter coat and gloves, is at the dock’s edge, standing stiffly, staring intently at the water.

SMASH CUT TO:

EXT. LOWER MANHATTAN DOCKS – CONTINUOUS

Close-up of JILL DUMORE, a 14-year old girl weathered a little in the face from the cold work and looks older than she is. She is walking through the fridge door at the back of Freddie’s Fishery at the docks. She sees Murph and runs over.

JILL
What are you doing?

MURPH
What’s the point of life?

JILL
Well, I’m not sure, but I know
that I enjoy it…

MURPH
I just had everything taken from me. It’s
too hard to live in this crazy world.

JILL
Why don’t you step away from the
dock’s edge and talk to me about it.
I am more than willing to listen,
Just give me a chance.

EXT. BACK OF FREDDIE’S FISHERY BREAK ROOM – DAY

Murph walks with Jill over to the outdoor break room where there is a hanging light bulb and a couple of lawn chairs next to a small table with a coffee thermos and some mugs. The distant sound of seagulls can be heard. Jill starts pouring coffee while Murph grabs a chair and sits down.
JILL
So, what’s going on Mr…?

MURPH
Oh, I’m Murph Eddleton, son of the
wealthy Eddletons of New York who
own half the market. Well, they did.

JILL
So, Murph, tell me what happened.

MURPH
I heard a few hours ago at my parents’
lawyers’ office that they were in a
fatal accident off of Portofino Bay.

SMASH CUT TO:

EXT. OUT AT PORTOFINO BAY – NIGHT

Dramatic shot of Murph’s parents in the rain, dressed in white, screaming, reaching out for each other’s hands when a boat comes mid shot between their hands and crashes into them.

EXT. BACK OF FREDDIE’S FISHERY BREAK ROOM – CONTINUOUS

Jill glances back at Murph and grabs his cold hand with her small soft fingers and holds it tightly to help comfort him.

JILL
Murph, things happen for a reason,
even the bad things. I think your parents
would not have wanted you to kill
yourself when you have much to live for.

MURPH
What’re you talking about? They left
me nothing – no home, no money, no family
to help take care of me, NOTHING.

JILL
Believe it or not, I know where you’re
coming from. Why don’t you wait here,
and you can crash tonight at my place.
Then we’ll figure out what to do next.

MURPH
Really? You would do that for me?

JILL
Yes, because everyone needs help in
the right direction even if the person
that needs it doesn’t know how to get it.

FADE OUT:

FADE IN:

EXT. WALKING TO FREDDIES FISHERY – DAY

It’s early, six in the morning. Wide shot of Murph whining to Jill about how early it is. He is dressed in the same coat and gloves from the day before and Jill is wearing a thick gray
sweatshirt and beanie. They walk down to the pier. People cutting fish, cars driving by, and the faint sound of seagulls in the distance.

INT. FREDDIE’S FISHERY – DAY

Wide shot of the front of the store. Stacks of ice with frozen fish in glass fridges off to the side of the front door. The place is white with fishing nets hanging from the ceiling and
there are guys stacking frozen cod in a corner of the room.
Jill walks up the center of the store to the front counter where MARK is going over paperwork. He is wearing a plaid shirt with a full shadow across his face and a beanie. Murph starts wandering around the fishery.

JILL
Hello there, Mark, how are things
going this morning?

MARK
Not too bad, Jill. Who is this fellow?
He don’t seem like the kind of guy you
would see around here.

JILL
This is my friend, Murph. I just met
him yesterday and he needs a job.

MARK
Well, given how things are going, it’s
tough to bring on someone right now.

JILL
(to Mark)
Listen, I know he may not look like
much, but he has a lot of potential.

MARK
(pauses)
Well, okay. I trust you, but if he
doesn’t work out…

JILL
Don’t worry, he will.

EXT. NEW YORK SKY LINE – DAY TO NIGHT

Wide shot of New York from the water’s edge of sun rising and setting. Shots of Murph loading pallets, gutting fish, and looking happy with coworkers. Another shot of Mark noticing Murph working and nodding to himself as though he’s saying, “Jill was right. The kid’s doing a pretty good job.” Across screen from day to night is “4 Weeks Later”.

INT. FREDDIE’S FISHERY- DAY

Pan in shot from high up down in the back of the warehouse where there are huge stacks of fish on many pallets, guys cutting and sorting fish, men operating forklifts. Glide in from behind Mark yelling out with papers flapping in the air in his left hand looking for Murph.

MARK
Murph, come here!

MURPH
Yes, what happened?

MARK
I’m sorry but I’m going to have to
fire you. You sent a very expensive
order to the wrong customer
and it cost me ton of money.

MURPH
Sorry, Mark. I don’t know what else to
say except thanks for giving me a chance.

Mark shakes Murph’s hand. Murph heads out of the Fishery.

MARK
Alright, nothing to see. Get back
to work.
(to himself, shaking head)
I really thought that kid would work
out. Such a shame. Kids today…

EXT. OUT BACK OF FREDDIE’S FISHERY – DAY

The wind is blowing from the coast and with a wide shot Murph is heading back to the spot on the dock’s edge where Jill had met him for the first time. Pan to behind Murph while he is walking. Jill runs from the back of Freddie’s Fishery.

JILL
Murph, wait up.

MURPH
Just let me get it over with.

JILL
NO, just because you made one mistake
does not mean that you should end it.

MURPH
I can’t make it on my own.

JILL
What are you talking about? You
had done so well these past few weeks.
I know that you can tackle anything
if you never give up. Life is funny
like this, it always gives you
more challenges every day to see if
you are up to it. Don’t be like
the others who just throw in the
towel, give up, and don’t look back.
I know that you’re not one of them.

MURPH
Well, how do you know?

JILL
I saw it in your eyes the first
time I met you. I knew you just
haven’t had the chance to explore
the potential that you have deep
down. Look, you’re right here, right
now. Others would have left a long
time ago, but you didn’t give up.

Pan in and see the Murph’s first real expression of epiphany.

JILL
Why don’t you go back in there and
ask Mark to give you another chance?

MURPH
I guess-no, I know I can. I will
ask for my job back and do it
better than I have ever done anything.

INT. BACK OF WAREHOUSE FREDDIE’S FISHERY – DAY

Mid shot pan in from the left to the back of the warehouse. Jill and Murph come in through the plastic hanging from the doors. Murph walks up to Mark and taps him on the shoulder.

MURPH
Mark, I know I screwed up badly with
that order earlier today. I know
that you fired me. But, hear me out.
I really want to keep this job and
I will work off what I owe on the
order. I want to make this right,
and I know I can work hard for you
and never make that mistake again.

MARK
(taken aback)
You’re the only person that has ever
come back and wanted to work things out.
We need more people like you, Murph.
You can have your job back and I will
work out what to do about that order.

Mark shakes Murph’s hand firmly. Everyone cheers. Then in slow motion, everyone pats him on the back and Murph looks over his shoulder at Jill. Change to a mid shot going into a close-up of Murph walking to Jill and grabbing her hands.

MURPH
Jill, thank you for everything.

Murph picks Jill up for a big hug and spins her around with her feet in the air. The shot freezes. Rolling credits.

FADE OUT:

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This is a ruff of a 7 page scipt I wrote. Let me know if anyone is ...

Created: Apr 28, 2010

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